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Compression
Indicator For Mictester's
RCC Above Threshold Indicator Using CMOS Gates last update: Oct. 12, 2025 Copyright 2025 by H.
Gragger. All Rights Reserved. All information
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| MAIN PAGE>MUSIC STUFF>COMPIND_RCC Index ![]() Mictester's Real Cheap
Compressor (RCC) Has No Indicator![]() Prior Art![]() A CMOS Gate For Detection Calibration
And Installation Usage Update
History ![]() Back To Index Mictester's Real Cheap Compressor (RCC) Has No Indicator Mictester’s Real Cheap Compressor
(RCC) can live without a compression indicator
of sorts. By the way, I disapprove of the term cheap in this context. His
choice of this name is felt to be an unhappy one,
because there is nothing cheap about it, neither
sonically nor haptically, except for the parts
needed to make it.
It requires no mundane fiddling with compression parameters except for the compression depth. But as people say unanimously, "you hardly know it is on until you turn it off". May I should complement, "... or until you overdo it". Although this is a good sign, having some measure when and how often the compressor kicks in, would be helpful. Back To Index Prior Art
I had made a similar indicator
for the Engineer’s Thumb compressor. As I describe there in
detail, the principle goes back to an application note
from THAT. It works well for the Engineer’s
Thumb with minor changes, but the principle
cannot be transferred to the RCC without
substantial redesign, because its front-end is meant
to monitor a (relatively slow changing) DC value as
typically present at a genuine side-chain’s control
signal, which is representative for the degree of
compression, whereas the RCC basically
controls compression with a copy of the input signal
as control voltage, while the time constants are
mostly governed by the LDR’s properties. Some additional signal
conditioning components would have been needed for the
front-end, which would have increased its complexity
unduly in relation to the simplicity of the bare-bone
unit it is supposed to supplement. The beauty of THAT’s
circuit is their method of current-steering between
two LED’s, which prevents the massive current-surges
that would appear otherwise during on- and off cycles,
were only a single LED employed. Those surges can create
audible artifacts and are well feared and loathed in
LFO circuits and the like, because they are a pain to
get rid of. THAT use a
comparator that detects the onset of compression (or,
if you want, the „above resp. below threshold
condition“) using cross-connected transistors for
current-steering. Their unit "looks" at a DC signal
and compares it to a fixed value set by a pot. Adding
more components to make it work would of course have
been possible, but the component count was already
high. So a superior method came to mind. A CMOS Gate For Detection Audio pioneer John Linsley-Hood
had used CMOS gates throughout his developments for
detecting analog signals, a ground breaking work that
I have described here. He utilized a
peculiarity their inputs exhibit, namely a very
precise voltage detection window around half the
supply. So a spontaneous voltage level seen on the
output of the LED driver can be compared to this
center value to trigger the respective gate.
Subsequent gates wired as inverters can then be
utilized to provide the current-steering function.
The input of the indicator assembly connects directly to the output of the OPA that drives the LEDs (note: before the electrolytic cap). It thus „sees“ some AC riding on top of the bias voltage. The latter is irrelevant since it is cancelled out by setting the threshold pot accordingly. (see later). One four-input NOR gate
does it all. The series diode works as a peak
detector, the other two diodes are there for
protection only. There is no storage capacitor for the
peak detector (which is usually there for visual
persistence), since the first gate works akin to a
switch de-bounce circuit that creates a dead time
through R1/C1. This method requires a non inverting OR
to work, hence the second gate is configured as
inverter. G1 followed G2 constitute an OR then. When G1 registers a peak
("1"), the output of G2 charges the capacitor rapidly
and feeds back a "1" to the respective input of G1,
until R1 has depleted C1 again. G1 will drop off
afterwards, unless the stimulus on the peak detector
still exists. The peak triggered this machinery, but
may have gone again meanwhile. This is the typical
behavior of a de-bounce circuit. The two inverters
following turn on the LEDs alternatively. The green
LED (lights up when no signal is present, when the
signal is below the detection threshold, and when the
unit is turned on and idle) and changes to the red one
when the threshold is crossed. A CMOS gate can easily
drive a LED directly. Akin to THAT’s circuit, there is always only one LED on. Although the transition is extremely fast (a CMOS gate switches in microseconds), a small current notch is inevitable. This transit can potentially be audible as a faint click, but the supply of this auxiliary board is designed to decouple from the main board’s supply via its own RC combination. In this case, a 100µ electrolytic in conjunction with a 100R resistor. This is crucial, since it kills the spike stone dead, so don’t skimp on this. This supply filter will
produce an overall voltage drop of slightly less than
a volt, but since the gate’s threshold changes
ratiometric with its supply, the absolute value of the
CMOS supply voltage is of no concern once
calibrated. CMOS gates run with a 3-18V supply
voltage. The detection circuitry is
of very high impedance and does not irritate the
driving circuit. Its application is not restricted to
the RCC, but can be applied to any unit in order to
inform you about a certain level being crossed. I used
it with success as a clipping warning in a certain
build, replacing the normal "effect on" indicator LED
for a behavior akin to the one described above. Calibration And Installation For calibration an oscilloscope and a frequency generator are needed. Connect the indicator sub-assembly. Set the input voltage to about 100mVp-p. Set „sustain“ to minimum. The green LED should light up. If not, turn the trim pot, until the green LED turns on. Turn a little further well into the green. Monitor the output of the OPA that
is wired to the LDR with the voltage probe. Start
increasing sustain until you see the output being
affected. Turn the trim pot until the green LED just
changes to red. Verify this setting by riding the
sustain pot over this area and seeing the LED change
when it should. Done. This is my personal approach
of calibration. A small auxiliary board can be
fabricated that augments an existing build. The
power connections are planned to go to an already
present node after a protection diode. Otherwise you
may want to add such a diode. The LED’s common
cathode can conveniently be wired to the ground
switch that likely exists for a typical true bypass
switching scheme, where normally the cathode of
single LED would go. Using a multi-turn cermet trim
pot for adjustment is recommended. Usage Note that this is functionally another „above threshold indicator“ (or below, dependent how you view this), and it tells you nothing about the depth of compression or the current state of release. Due to its slow nature the LDR needs a fairly long exposure to the light to react, but then persists when the light is long gone. The compressor might thus well be in its release phase when the excitation is long gone. Since a transit from the „side chain“ might be too short to behold, the dead time has been chosen fairly long with the R1/C1 values (1M/330n, = 330ms rise time). Those values were found empirically, trying to avoid nervous detection chatter. Unless a compression gauge can reliably display the true amount of reduction, it has to be taken with a grain of salt what it tells you. However, as with all compressors, you should see the compressor go in and out of compression frequently, otherwise you remain in static compression, which is just another word for: attenuation. But this the here depicted „above
threshold indicator“ can do. A visual clue helps a
lot when the ear has gotten tired. And, in
accordance with THAT’s
quote (p.2), adapting it to the present
situation:
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